V nedeljo, 5. januarja 2003 ali 2. 11. 1423, od 21.30 do 24.00
Ples ideala brez razloga.
"Many misconceptions are distortions of the truth, and such is the case with the harem / slave myth and Oriental dance. Throughout history, rulers worldwide have had entertainers, including dancers, in their courts. Arab / Islamic history is no different. However, the reality is always more complicated than the myth."
"From pre-Islamic times until the 800s, professional dancers, musicians, and singers in the Middle East belonged to the slave caste. The majority of professional musicians, including singers, were female slaves, and they were often called “Qaina.” (Even in recent times, the majority of professional entertainers come from the lower classes, and both of these facts are part of the reason why there is still a stigma today against being a professional entertainer in the Middle East.) The term “Qaina” originates from the legend that music and dance were “invented” by a biblical character, one of Cain’s daughters. Although the Qaina are often referred to as “singing girls,” there are numerous historical references to them as musicians and dancers as well."
"The Qaina were in fact highly-educated women who, besides being trained extensively in singing, music, dance, and poetry recitation, were also often educated in literature, calligraphy, philosophy, and the sciences."
"Even though technically slaves, the Qaina possessed more freedom than many women have today in some parts of the world, and although their profession had a stigma attached to it, they nevertheless had an elevated social status. Numerous historical references describe the Qaina as wearing more brightly colored clothing, and more ornaments, as well as speaking their minds more freely than other women."
"Sometimes, they exercised considerable political power as well. According to the Islamic historian Ibn Hazm, “Of the 37 of Abbasid Caliphs, only 3 were sons of “free” mothers, and among the Umayyads, not a single son of a free woman succeeded in becoming Caliph”!2 One of the greatest and most famous Arab Rulers was Harun El Rashid, who ruled in Baghdad in the 700s. Khayzuran3, his mother, was originally a slave, but other sources mention that she had also been a Qaina, trained in Mecca. Khayzuran not only became the favorite of her husband, Al Mahdi, but also helped him make important political decisions. In addition, she succeeded in getting both of her sons chosen as heirs to the throne, instead of Al Mahdi’s other sons by his aristocratic first wife. When her son Harun El Rashid became the Caliph, Khayzuran continued to play an important role in the Empire’s politics, and her son was known to ask for her advice on almost every matter."
"The scanty costumes often shown in films are indeed a Hollywood fantasy .In the few existing pictures of dancers of the Islamic Golden Age, they are wearing long dresses with long sleeves, and loose pants underneath. Hopefully, most readers know by now that the “bedla” or 2-piece costume with beads and sequins, originated in Egypt in the 1930s in Badia Mansabny’s nightclub. Mansabny was a dancer as well as a singer, actress, and businesswomen. "
"She was very much influenced by Hollywood films and European cabarets when she introduced the bedla. Many of her clientele at that time were European men who found the original dance costume (which was either a long dress with a sash tied around the hips, or a long shirt with a long blouse, vest and sash worn over it) not revealing enough."
"In conclusion, regarding the question of what is reality and what is myth, it would be accurate to say that although there were indeed slaves that danced for their masters, it would be too simplistic to say that Oriental dance is a slave dance. To say so would be like saying that playing music, singing, and reciting poetry are also only the occupations of slaves."
Iz članka Oriental Dance: Myth and Reality, The Harem Slaves. By Jalilah Lorraine Chamas.
From article Oriental Dance: Myth and Reality, The Harem Slaves. By Jalilah Lorraine Chamas.
There ...
I. IDEALNI PLES BREZ RAZLOGA
0. md IG ef 21/22? AVIZZO
1. cd IF I DIE kom 1/nšt SWEET HOME – virgin prunes 4.29
2. cd ALLAHU kom 5 YAMOUR – najat tazi 6.44
3. cd Wm770 kom 11 YA RAYAH – dahman harrachi 5.50
4. cd VOIX kom 2 SAADI YA SAADI – saloua 5.31
5. cd YALLA kom 12 MUSH HASIBEK – el asmar 5.07
6. cd 7000 kom 7 AGHADAN – mahmoud fadl 5.22
7. cd FARID kom 1 HABBINA YA HABAYBI ETC – sbd 11.44
8. cd JALILAH kom 11 GHANILI SHWAYE – hossam shaker 7.06
8. kas ZAKI B/nšt YA FARAOULE ETC – musiki fi ? 16.24
9.cd EGYPT kom 13 TAKSIM MIZMAR – musiki fi nil 13.00
10. kas BABYLON A/1 TAKSIM – munir bachir'n'kvartet 13.43
11. cd EGYPT kom 8 SIBS – musiki fi nil 5.12
12. kas HAYATEM A/nšt YA KARKOL ETC – musiki fi ? 12.24
13. cd JALILAH kom 1 RIHLAT EL GHAWZIA – hossam shaker 10.59
14. cd RAKS kom 1 INTRO, TAKSIM LAYALI - ? 10.40
15. cd JALILAH kom 3 FI YOM WI LEYLA – hossam shaker 6.56
16. cd COSMO kom 6 LAISSEZ MOI GRISER – medioni buda 5.30
(vmiksaj diskretno cca 36 sek pred koncem)
17. cd ALLAHU kom 11 HADRA TAHRIB – derviši 8.44
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