V oddaji predstavljamo radikalna mlajša zvočna snovalca, ki subverzivno prevračata sodobno zvočno tehnologijo, utelešeno v binarnem svetu prenosnega računalnika/laptopa - MATTINA in TAKUJA UNAMIJA. Ob njunem skorajšnjem prihodu bomo prisluhnili raznolikim ploščam, ki so obeležile njuno ustvarjanje v zadnjem letu. Poslušamo razširjeno zasedbo SAKADA (Mattin, Eddie Prevost, Mark Wastell, Rhodri Davies, Margarida Garcia) s plošče Never Give Up Margins Of Logic. Sledi ji kvartet s plošče Building Excess (Mattin, Radu Malfatti, Dean Roberts, Klaus Filip) in nojzersko sodelovanje Mattina z japonsko vokalistko JUNKO (Pinknoise). Odtujitev od računalniškega zvoka pa poslušamo s strani TAKUJA UNAMIJA in plošče Intransigent Towards the Detectives of Capital ...
SAKADA:
(Antiopic, 2004)
Mattin - računalniški feedback, Eddie Prevost - tolkala; Mark wastell - ''amplified textures'', Rhodri Davies - harfa, Margarida Garcia - električni kontrabas;
Antiopic na spletu: www.antiopic.com
MATTIN & JUNKO: Pinknoise
(w.m.o/r, 2004)
Mattin - računalniški feedback, Junko - vokal;
w.m.o/r na spletu: www.mattin.org
TAKU UNAMI: Intransigent Towards The Detectives Of Capital
(w.m.o/r, 2004)
Taku Unami - laptop;
Taku Unami na spletu: www.hibarimusic.com
MATTIN/ KLAUS FILIP/ RADU MALFATTI/ DEAN ROBERTS: Building Excess
(GROB, 2004)
Mattin - računalniški feedback; Klaus Filip - laptop; Radu Malfatti - pozavna; Dean Roberts - kitara;
GROB na spletu: www.churchofgrob.com
NAPOVED KONCERTA:
YHD, Metelkova Mesto, Ljubljana
Četrtek, 23. september 2004, ob 21.00
DEFONIJA
Elekto-akustična svobodno improvizirana godba
TAKU UNAMI (Japonska) - laptop
&
MATTIN (Baskija) - računalniški feedback
Več informacij na: www.metelkova.org/gromka
''These two musicians question the whole aesthetic of contemporary digital
music: The desire to upgrade software and hardware, program virtuosity, and
strive for a better quality of sound... They play with the marginality of
the music, transgressing the cliches of digital gigs. Take Unami playing
with the surface of a speaker which vibrates inaudibly with
computer-generated frequencies. Or Mattin's use of self-generated
feedback...
They have come up with the concept of 'zombie computer musić: An attempt to
"kill our computer sound as much as possible". They seek to break open the
grave of digital music and re-animate the corpse. But rather than give it a
healthy and hygenic new life, they wish for it to have characteristics of
the living dead: A sound that is "endlessly committing suicide in the world
of digital ferocity."
vprašanja naslovite na: destroyern1@hotmail.com