Zdi se, da so sedanji avantgardisti ubrali še nekaj korakov dlje v abstrakten zvok, kot je to še pred osmimi leti počel Bob Ostertag, kljub temu pa je linija od mojstrov konkretnega zvoka Karl-Heinz Stockhausen (60') jasna (akoravno ne premočrtna). Poslušali smo divji mix med avtorji:
- Elliot Sharp "XenocodeX" 1996
- Bob Ostertag"Like a Meloday, No bitterness" 1997
- sha. "living room music" (ÖRF) 1996
- Endiche Vis.Sat
- Open Source Sampling (Acoustic Space Lab) (2003)
+ Cornucipia "sideral"
- From Gdansk till Dawn (Leonardo Music Journal) 2003
+ Wolfram "Sentinel"
+ nicron "highpass.2"
- Karl-Heinz Stockhausen "Liaison" 1969
- Saeta "Concert" 1979
Sharp was a mistake in this context...
Ostertag defined the concept...
sha. (Ircam) was used a raw sound...
Endiche Vis.Sat introduced the human dimension...
- interpretations of radiotelescop sounds from Acoustic Space compilation widened the spectrum - cleaned the sound
- etc...
- Stockhausen - a reference of some kind (music concrete, no symphony orchestra, thanks god...)
- Saeta is the at the root of second generation electroacoustic music in Slovenia
Komentarji
komentiraj >> Re: Stockhausen -> Ostertag -> now...
anonimni alkoholik [16/06/2005]
eeeeeeeeeeeeee
odgovori >>